【 ASP 国际原創詩歌 】《观赏花瓣的凋零》文 / 兰伯特·加齐亚（意大利） 翻译 / 宋政华

POETRY SELECTION

NUMBER SIX POEMS

诗选六首

          WOMEN'S VOICES

気合和愛

The woman from the Orient narrated

how the ancient 武士

released a simple 気合

he succeeded - even before the contact of swords –

to make the enemy as immobile as a fox statue.

The man of the Occident listened to the fabula,

and imitating it, making love, he controlled

the carp's stubborn and vital ascent towards

the pinnacle of pleasure: and the different 気合

little more than a short sharp in his ear……

- and the lovemaking continued almost motionless.

《女人的声音》

气势和愛

来自东方的女人叙述

古代武士是如何

气势乍现

就胜利了——两把剑还未接触——

敌人就像雕像一样一动不动。

西方人边听了这个传奇，

边模仿和做爱，边加以控制

鲤鱼顽强而生死攸关地冲向

快乐的顶峰:与众不同的气势

像他耳朵里的尖啸……

做爱在继续着，几乎一动不动。

           剪纸和愛

～(OF THE ORIENTAL WOMAN)

From behind the 障子

I simulated you falling snowflakes

with fine Fabriano paper:

And I imagined you smile……

- and meantime in the slit of my greedy

breasts one reclined.

《剪纸和愛》

             ～(东方女人)

从纸拉门后面

我临摹着你们这些飘落的雪花

用的是优质的飞碧纳纸:

我想象着你的微笑……

同时在我贪婪的胸部

之间有人栖息着。

           障子和愛

Has been only in the translucency

or hint... our 愛

(Had been…It never was…Was)

《纸拉门和愛》

一直处于半透明状态

或者暗示……我们的愛

(此前曾经…从未…曾经)

          杏仁和和紙

It was almost springtime

your picking up the brush

and in a precise space of the shoji

portray with an immediate mark of black ink

my breast in the shape of a gulf of sea:

perfect, small and the two almonds

in pointed shell the idea of wanting

to pierce the 和紙 ...

There had been, even spring:

between me, the curtain and the off-caste

of modern Occident,

there had been...there had been...

there had been.

《杏仁与和紙》

当时几乎是春天了

你拿起画笔

精确地在纸拉门的空隙里

用黑色墨水的墨痕

描绘我的一只乳房呈海湾形状:

小而完美，和两个杏仁

想拥有在尖壳里的想法，

刺穿和纸……

此前，就是在春天:

我、窗帘和现代西方的种姓之外

曾经有过……曾经有过...

曾经有过。

          障子和透明度

Beyond the shoji my winking transparencies

were naive malice,

in you sublimated filthiness

 (罪)

《纸拉门和透明度》

纸拉门外，我眨眼的透明胶片

是天真的恶意，

在你升华的污秽中

 （罪)

        HANAMI THE DECLINE OF PETALS

I had brought the Occidental man

to the cherry blossom festival

and there, isolated and undressed,

we made love: him in the lotus position

unorthodox with his back against the trunk,

me on top of him trying to catch

in flight the pink petals

suspended between life and death,

a bit like our hearts, oscuted:

between life and death.

《观赏花瓣的凋零》

我曾带来西方人

去樱花节

在那里，孤立无援，一丝不挂，

我们做爱:他采用打坐的姿势

打破常规，背对着树干，

我在他身上试图抓住

飞落的粉红色花瓣

悬于生死之间，

有点像我们的心，颤动着:

在生与死之间。

诗人简介：兰伯特·加齐亚于 1965 年出生于圣雷莫，在尼斯、罗马（毗邻伟大诗人 Valentino Zeichen 的小屋）和阿特里（Abruzzo）之间进行了漫长的朝圣之旅后，居住在Arma di Taggia（极端西利古里亚）和 Tellaro（极端东利古里亚）之间。出版了三本诗集（La Chanson de Lambert，Giuseppe Conte 前言；Leda，Claudio Da-miani 前言；SHIAI E AI，Milo De Angelis 后记）； 部分内容已被翻译成日语和中文并发表。

他在 Arma di Taggia 构思了LA PASSEGAGGIATA LANDOLFIANA 路径，目前但仍处于实施阶段。

本期翻译：宋政华   本期制作：晓芳